Entertainment

Pax Thien appeared on the set, actively supporting Angelina Jolie

Recently, Pax Thien – the adopted son of actress Angelina Jolie and actor Brad Pitt – appeared on the set of the movie “Maria”. This is a new film project in which Angelina participates as the female lead.

Currently, American actress Angelina Jolie brings her three ð˜Īð˜Đ𝘊𝘭ð˜Ĩren to participate in her mother’s work. Most recently, paparazzi caught her two adopted sons, Pax Thien (19 years old) and Maddox (22 years old), actively supporting their mother on the set of the movie Maria in Paris, France.

In addition, Angelina is also hiring her youngest daughter Vivienne (15 years old) as a personal assistant during the production of the play The Outsiders on Broadway, New York, USA. It can be seen that at this time, Angelina Jolie is very active with her work plans. Besides plans to act in films and produce plays, Angelina is also preparing to launch her own fashion company.

Pax Thien appeared on the set of “Maria” with his adoptive mother Angelina Jolie (Photo: Backgrid).

Pax Thien is no stranger to filmmaking (Photo: Backgrid).

In the movie project Maria, Angelina will play the role of American opera singer Maria Callas (1923-1977). This is a biographical film made by Chilean director Pablo LarrÃĄin. Currently, both Pax Thien and his brother Maddox appear on the set of the movie Maria. The two brothers always accompany their adoptive mother and actively support Angelina during her acting career.

In fact, both Pax Thien and Maddox are no strangers to filmmaking. Previously, the brothers joined the cast of the film First They Killed My Father (2017). Pax Thien is often tasked with capturing impressive acting scenes on set through the camera lens.

In addition, Pax Thien was also assigned the role of assistant director in the film project Without Blood – a film directed by Angelina.

Regarding director Pablo LarrÃĄin (47 years old), he is already known for films that received nominations at the Oscars such as No (2012), Neruda (2016), Jackie (2016) and Spencer (2021). In 2017, Pablo participated in the production of the film A Fantastic Woman, which was the first Chilean film to win the Academy Award for Best Foreign Language Film.

Angelina Jolie’s image in the movie “Maria” (Photo: Variety).

Director Pablo LarrÃĄin has already impressed with his biographical films revolving around famous women. The biographical film Jackie (2016) is about the life of former US first lady Jacqueline Kennedy when she was living in the White House. The main female role in the film was given to actress Natalie Portman.

The film Spencer was made about British Princess Diana during the days of her marital crisis in 1991. The main female role in Spencer was given to actress Kristen Stewart. Maria is the third biographical film project created by director Pablo to tell the story of a famous female character. The film project is attracting a lot of attention.

Sharing about her personal life recently, Angelina Jolie said that being a mother helped her avoid going into serious depression and crisis after divorcing actor Brad Pitt. Angelina affirmed that throughout her life, motherhood has helped her have a different perspective on life.

Angelina Jolie’s adoption of her son Maddox when she was 26 years old helped her escape a period of hustle, rebellion and lack of responsibility towards herself. After becoming Maddox’s adoptive mother, Angelina Jolie changed her life to become more suitable for motherhood. Angelina began to look at life differently.

Pax Thien on the set of “Maria” (Photo: Just Jared).

Later, when going through life’s events, being the mother of six ð˜Īð˜Đ𝘊𝘭ð˜Ĩren became a source of motivation for Angelina to want to continue trying to live well and do the best for her ð˜Īð˜Đ𝘊𝘭ð˜Ĩren.

“I have completely changed since I was 26 years old when I adopted my son Maddox. Having ð˜Īð˜Đ𝘊𝘭ð˜Ĩren has saved my life at many times. Being a mother has helped me see the world differently. “I could have lived in a very different way, maybe in a darker and more dangerous way, if I didn’t have my ð˜Īð˜Đ𝘊𝘭ð˜Ĩren by my side. They are the motivation for me to strive to live better,” Angelina said. .

Angelina Jolie said that because she is a mother, she always wants to bring the best things to her ð˜Īð˜Đ𝘊𝘭ð˜Ĩren, at least a safe and stable living environment for them. Angelina also revealed that her ð˜Īð˜Đ𝘊𝘭ð˜Ĩren are gradually becoming more mature.

Maddox supports his adoptive mother on the set of “Maria” (Photo: Backgrid).

Angelina Jolie with Maddox and Pax Thien on the set of “Maria” (Photo: Backgrid).

Seeing her ð˜Īð˜Đ𝘊𝘭ð˜Ĩren live more and more responsibly with themselves and their loved ones makes Angelina happy. However, as her ð˜Īð˜Đ𝘊𝘭ð˜Ĩren gradually grew up and led more independent lives, she also admitted that she felt a bit sad: “Currently, I feel like I haven’t lived as myself for a decade. past century”.

Angelina Jolie believes that she is on a journey of transformation, perhaps she will become a different person in the near future.

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āļ™āļąāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđ‚āļĄāđ€āļĄāļ™āļ•āđŒāļ—āļĩāđˆāļŦāļĨāļēāļĒāđ† āļ„āļ™ āļ„āļ‡āđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āļāļąāļ™āđ„āļ›āđāļĨāđ‰āļ§ āļ—āļĩāđˆāđ€āļĄāļ·āđˆāļ­āļ§āļēāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē (17 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™) āļ”āđ‰āļēāļ™āļ„āļļāļ“āđāļĄāđˆÂ â€˜āļāđ‰āļ­āļĒ āļ™āļĪāļĄāļĨ’ āļ‚āļ­āļ‡āļŠāļēāļ§Â â€˜āļ­āļ­āļĄ āļāļĢāļ“āđŒāļ™āļ āļąāļŠâ€™Â āđ„āļ”āđ‰āļ­āļ­āļāļĄāļēāđ‚āļžāļŠāļ•āđŒāļ āļēāļžāļ‚āļ­āļ‡āļĨāļđāļāļŠāļēāļ§Â â€˜āļ­āļ­āļĄâ€™Â āļ—āļĩāđˆāļ–āđˆāļēāļĒāļĢāļđāļ›āļ„āļđāđˆāļāļąāļšāļŦāļ™āļļāđˆāļĄÂ â€˜āļ“āđ€āļ”āļŠāļ™āđŒ āļ„āļđāļāļīāļĄāļīāļĒāļ°â€™Â āļ™āļąāļāđāļŠāļ”āļ‡āļˆāļēāļāđ€āļĢāļ·āđˆāļ­āļ‡Â â€œāļŸāđ‰āļēāļˆāļĢāļ”āļ—āļĢāļēāļĒ āđ€āļ”āļ­āļ°āļĄāļīāļ§āļŠāļīāļ„āļąāļĨ” āļ—āļĩāđˆāđ„āļ”āđ‰āđ„āļ›āļŠāļĄāļāļēāļĢāđāļŠāļ”āļ‡āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰ āļ‹āļķāđˆāļ‡āļ™āļ­āļāļˆāļēāļāļĢāļđāļ›āļ„āļđāđˆāđāļĨāđ‰āļ§ āļĒāļąāļ‡āļĄāļĩāļĢāļđāļ›āļ—āļĩāđˆāļ–āđˆāļēāļĒāļĢāđˆāļ§āļĄāđ€āļŸāļĢāļĄāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļŠāļēāļ§Â â€˜āļ­āļ­āļĄâ€™Â āļ„āļļāļ“āđāļĄāđˆ āđāļĨāļ°āļŦāļ™āļļāđˆāļĄÂ â€˜āļ“āđ€āļ”āļŠāļ™āđŒâ€™Â āļ­āļĩāļāļ”āđ‰āļ§āļĒ āđ‚āļ”āļĒāđ€āļĢāļ·āđˆāļ­āļ‡Â â€œāļŸāđ‰āļēāļˆāļĢāļ”āļ—āļĢāļēāļĒ āđ€āļ”āļ­āļ°āļĄāļīāļ§āļŠāļīāļ„āļąāļĨ” āļˆāļ°āđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ„āļ§āļēāļĄāļĢāļąāļāļ­āļąāļ™āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡ “āļŠāļēāļĢāļīāļŸâ€ āđāļĨāļ° “āļĄāļīāđ€āļŠāļĨāļĨāđŒâ€ āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āļ“ āļ”āļīāļ™āđāļ”āļ™āđāļŦāđˆāļ‡āļ—āļ°āđ€āļĨāļ—āļĢāļēāļĒāļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ„āļ§āļēāļĄāļĢāđ‰āļ­āļ™āļĢāļ°āļ­āļļāļ‚āļ­āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļŠāļīāļ‡āļšāļąāļĨāļĨāļąāļ‡āļāđŒ āđāļĨāļ°āļ­āļšāļ­āļ§āļĨāđ„āļ›āļ”āđ‰āļ§āļĒāļĄāļ™āļ•āđŒāđ€āļŠāļ™āđˆāļŦāđŒ āļ­āļąāļ™āļĨāļķāļāļĨāļąāļšāļ‚āļ­āļ‡āļ”āļīāļ™āđāļ”āļ™āļ—āļ°āđ€āļĨāļ—āļĢāļēāļĒ āđ‚āļ”āļĒāđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļāļĨāļąāļšāļĄāļēāđ€āļ›āļīāļ”āļĢāļ­āļšāļāļēāļĢāđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ„āļ”āđ‰āļŠāļĄāļāļąāļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļ§āļąāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒāļ—āļĩāđˆ 15 āļ˜āļąāļ™āļ§āļēāļ„āļĄ…

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